An Inside Job

The Force Factor | Releasing Creative Blocks
Getting back to painting feels like a long and winding road back to somewhere left behind long ago. A search for where I left off. I will most likely find Been There Done That if I get to the place before I quit, stopped myself, got lazy or whatever it is that I do when give-up. This time around maybe I will allow myself to continue and see what happens next – maybe it won’t even be painting this time. Whenever I feel the need to define myself as Real Artist I seem to require my final proof to be painting. I don’t know why painting has to be my point of reference for my own creative validity but I can’t seem to get around it.

Penguins living in my imagination.

Penguins living in my imagination.

In the past few weeks some paintings I did as long a thirty years ago have been returned to me. It’s been eerie and eye-opening to see them. They are mostly made-up landscapes and were all painted with the intent to look like a specific object or place even if it was just a place in my imagination. Do I want to do that again?

Here’s a running dialogue I recently had with myself in an attempt to bring some clarity to my “Why do I still want to paint?” question. I caught myself saying “I want to paint even more than I know what it is that I want to paint.” What’s that suppose to mean? I think I just want to paint again just for the joy of painting. Am I longing for the Process?  I think so and that’s good news. The process will be an opening or a path rather than creating an already pictured image. Painting won’t be limited to a picture of something already in my imagination. It seems scary to start painting something I can’t even see. Fear quickly shows up when  I seriously ask myself if I think I can still paint at all. Do I have the nerve to let painting be a vehicle into the Unknown. Take chances. Risk.  Maybe this will force me to express myself in some other way if I find that I can’t paint anymore.

“My advice is to paint the best way you can as much as you can, without being afraid to paint bad pictures, if your painting does not improve on it’s own, then there is nothing that can be done.” Monet

I just came across this quote from Monet that I had been saving for some reason. The point is to just get on with it…

The Situation Room

The Situation Room is my Cyber Studio-Website.  It’s where whatever is currently in progress on my work table can be seen. Also, it’s a Cyber Voice for my intentions and what’s in the current plan.— my version of retiring to the Drawing Room. I keep a Blog  where I can talk to myself about what I’m creating— what’s on my mind. Enter at your own risk. I keep copies of my archival artwork organized in theme portfolios for quick reference.  The flat files are my cyber filing cabinets. The Situation Room is where I work and keep track of what I’m working on. It’s where I punch my time clock.

What’s currently on the table?

Now it’s ShowDown and that’s my version of “I just took the show down in San Rafael” and my next Situation there will be this Friday night.   I will volunteer for the Open Studios Preview Party. It will be nice to be on the other side of the excitement.

Painting with coffee over a pencil drawing. Photo Robert Tong

Painting with coffee over a pencil drawing. Photo Robert Tong


Coffee Painting Workshop | May 16th.

I have reserved a classroom at ArtWorks Downtown in San Rafael for my first workshop. There are already several people signed up and I think the current show also in ArtWorks Downtown will draw more interest because there will be coffee paintings on display and an announcement for the Coffee Painting workshop. I’m working on all of the details but it is a fun exploration and I hope this will be the first of many more workshops.

 

Coffee Painting History
I’ve started googling Coffee Painting to see what other artists have been doing with coffee. Here’s a Great One!